040 - Forms, Genres, Media in Baroque and Neo-Baroque: Intermedial, comparative, and trans-historic perspectives

 

  1. Massimo Fusillo, Serena Guarracino

Spectacular Drive and Emotional Excess: Pedro Almodòvar’s Matador as (neo)baroque melodrama

  1. Massimo Fusillo

Doubles and Mirrors. On Baroque Tragicomedy

  1. Isabel von Holt

“Baroque” Movements: Literary Practice and Cultural Theory in Germany and Latin America since 1970

  1. Hong Liu

Richard II’s melancholic image-theatre and the Trauerspiel of history

  1. Helga Mitterbauer

Nothing but Fashion: Effacement of Subjectivity by Representation in Literature and Arts

  1. Mattia Petricola

What is the Neo-Baroque? A Critical Reassessment

  1. Zofia Kolbuszewska

The Neo-baroque Film adaptations of Wojciech Jerzy Has